Winnie the pooh blood and honey tits

Horror films provide paradoxical feelings of fear and fun, offering ways of navigating societal darkness while simultaneously giving us humorous delight. However, the film ultimately spends far more time doing the latter, with its violence and aggression squarely trained on women.

This post contains spoilers for "Winnie-the-Pooh: Blood and Honey. And yet, upon hearing that short phrase, the listener instantly knows what to expect: gore that subverts the pre-established notion of Pooh Bear as a cute, family-friendly character in a way that aims to be visceral and perhaps comedic. So goes the moviegoing experience of "Winnie-the-Pooh: Blood and Honey," a real film that actually exists. It's probably not a stretch to say it's one of the most graphic, gory films you've ever seen. Think "Kill Bill" level intensity here. Interestingly, the movie doesn't always lean into its inherently humorous concept.

Winnie the pooh blood and honey tits

Left to their own devices, the animals which are supposed to be a combination of flesh and plush , director Rhys Frake-Waterfield tells Variety starve before morphing into monstrous killers who lurk in the Hundred Acre Wood. As Maria and her friends pitch up in a secluded cottage in the middle of Hundred Acre Wood, audiences know the women are going to be anything but safe. But even slasher fans may not anticipate quite how bonkers this movie, which opens in U. So I thought he makes sense to kill early on. Chronically late Tina played by May Kelly is the last of her friends to drive into Hundred Acre Wood but the first to die after she stumbles into a creepy abandoned barn where she is swiftly dispatched by Pooh and his pal. Most of the scene was improvised, reveals Frake-Waterfield. But then they stumbled across the woodchipper and quickly re-worked the scene around it. Between the blood, torture instruments and skulls strewn across the hideout there sits, somewhat incongruously, an exercise bike. Which Piglet hops on and starts pedalling. In one scene, where Piglet and Pooh chloroform Tosini in a hot tub before tying her up and running over her head with a car, the director deliberately chose to shackle the actor with a particular type of restraint. So the gore shots, they were all re-shot and they were a mixture of practical and VFX. We got the SFX artist to have her eyeball hanging out of her head from the pressure of the car. They may once have been best friends but by the time Christopher Robin returns to Hundred Acre Wood there is no love lost between the tubby little cubby and his erstwhile owner. Home Film Global. Feb 15, am PT.

This is everything its elevator pitch entails, and it certainly aims for the shock value. For all its nonsensical stuff and fluff, one must give credit where credit is due.

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Left to their own devices, the animals which are supposed to be a combination of flesh and plush , director Rhys Frake-Waterfield tells Variety starve before morphing into monstrous killers who lurk in the Hundred Acre Wood. As Maria and her friends pitch up in a secluded cottage in the middle of Hundred Acre Wood, audiences know the women are going to be anything but safe. But even slasher fans may not anticipate quite how bonkers this movie, which opens in U. So I thought he makes sense to kill early on. Chronically late Tina played by May Kelly is the last of her friends to drive into Hundred Acre Wood but the first to die after she stumbles into a creepy abandoned barn where she is swiftly dispatched by Pooh and his pal.

Winnie the pooh blood and honey tits

This post contains spoilers for "Winnie-the-Pooh: Blood and Honey. And yet, upon hearing that short phrase, the listener instantly knows what to expect: gore that subverts the pre-established notion of Pooh Bear as a cute, family-friendly character in a way that aims to be visceral and perhaps comedic. So goes the moviegoing experience of "Winnie-the-Pooh: Blood and Honey," a real film that actually exists.

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He goes full "Fargo" when he throws Tina May Kelly into a woodchipper. As the film progresses, the audience learns that Pooh doesn't just dispose of the bodies after he kills people; that's where the movie's title comes into play. Born Bad? While startling, it's not exactly brutal for the purposes of this list because it's animated with rough hand-drawn sketches. Tina doesn't go down without a fight, kicking and screaming as Pooh unceremoniously hoists her into the machine. Much like the shark in "Jaws," Piglet swims toward his prey and goes in for the kill. Think "Kill Bill" level intensity here. However, as it became clear that this was a bear that had scented an opportunity to victimize women and mock their trauma while claiming hipster coolness, the film became increasingly hard to watch. The problem is not the refusal of the final girl trope but the way the film brutalizes women without redemption or empathy toward the kills. But that's not all. Piglet beheads a woman with a sledgehammer Fathom Events. If one were to boil down the appeal of "Winnie-the-Pooh: Blood and Honey" to the aforementioned shared, oxymoronic feeling of horrified delight in a theater, and furthermore select one moment from the film to embody that feeling more than anything else, it has to be the murder of Lara Natasha Tosini.

Winnie-the-Pooh: Blood and Honey is a British independent slasher film produced, directed, written, and edited by Rhys Frake-Waterfield. Milne and E.

The criticisms of Winnie the Pooh: Blood and Honey range from claims it ruins childhoods to calling out its misogynistic depictions. For all its nonsensical stuff and fluff, one must give credit where credit is due. Home Film Global. Milne, moved into the public domain. A knife through the heart is terrifying, sure, but it's hardly the gnarliest item on this list, so why is it ranked so close to the top? He steps on one of their heads, smushing the skull. Although her death is not as brutal as the others, Pooh kills her swiftly and mercilessly. Piglet's weapon of choice is a sledgehammer. Just when the audience thinks the camera will surely break away and not show the impending doom, the shot remains firmly in place. Horror has been long critiqued for the brutalization of women, especially within the slasher genre , though it has also offered opportunities for women to survive her would-be killer and enact revenge. Upon discovering his dead accomplice, Pooh takes his knife and stabs Alice. This is everything its elevator pitch entails, and it certainly aims for the shock value.