Undertow movie 2018 ending explained

Claire Laura Gordon struggles to find land again in a film that has Geelong at its centre.

Struggling to accept the loss of her baby, Claire becomes suspicious of her husband's relationship with a feisty young woman, Angie. Sign In Sign In. New Customer? Create account. Undertow TV-MA 1h 36m. Play trailer

Undertow movie 2018 ending explained

Reviewed by Dennis Schwartz Undertow premiered at the Melbourne international film festival. Using water as a recurring symbol of life, death and rebirth, the arty narrative keeps flowing into the directions that dramatically keep blurring reality from fiction. Through the probing compositions of the first-rate Australian cinematographer Bonnie Elliott, the relationships between people and places act as visual motifs. The vulnerable but creepy Claire Gordon is a pregnant photojournalist in the Australian seaside city of Geelong, who loses her baby after driving herself to the hospital while husband Dan Rob Collins is out partying. Later she spots her possibly unfaithful husband at a motel with the teenager who was also at the party with him, the sexy Angie Olivia Dejonge. The upset Claire keeps that to herself, and later follows the teen. Thereby Claire becomes fixated on her pregnancy, thinking it might be from her husband. During a group counseling session for bereaved parents, when Dan speaks from his heart about their loss, Claire only gives him some dirty looks. An awkward relationship develops between the women from different generations, as tension in the domestic drama grows and questions of morality arise as well as many plot twists. Things become unpredictable, as Nation leaves us thinking what might seem real could just as easily be something imagined and only is taken for our truth because we wanted to see something in a certain way. The story hinges on finding a meaning to a complex relationship that develops between the women opposites that belies an unpleasant universal truth that some women want so much to give birth while others are sickened at the prospect. Universal women issues are boldly tackled by getting to the inner forces the undertow that compel women to act out the way they are wired. The needy and self-absorbed Claire might be obsessive but is directionless, while the also creepy and aimless Angie might be strong but in her youth is naive.

Subscribe now for monthly editions, awards season weeklies, access to the Screen International archive and supplements including Stars of Tomorrow and World of Locations. But in indulging Claire, the film also uneasily objectifies Angie, whose own equally wrenching predicament never comes into full focus.

Miranda Nation takes a bold approach to pregnancy and abortion in her Geelong-shot film that evokes the work of Jane Campion. F ilm is an intensely collaborative art form, which is one of the reasons the auteur theory was established: to help navigate a sea of creative people dabbing away at their corner of the canvas. The Australian cinematographer Bonnie Elliott is one of them. Her compositions have a striking tendency to explore relationships between people and places. She will soon have a stillborn baby, which draws to the surface issues with her husband Dan Rob Collins, from Cleverman.

Reviewed by Dennis Schwartz Undertow premiered at the Melbourne international film festival. Using water as a recurring symbol of life, death and rebirth, the arty narrative keeps flowing into the directions that dramatically keep blurring reality from fiction. Through the probing compositions of the first-rate Australian cinematographer Bonnie Elliott, the relationships between people and places act as visual motifs. The vulnerable but creepy Claire Gordon is a pregnant photojournalist in the Australian seaside city of Geelong, who loses her baby after driving herself to the hospital while husband Dan Rob Collins is out partying. Later she spots her possibly unfaithful husband at a motel with the teenager who was also at the party with him, the sexy Angie Olivia Dejonge. The upset Claire keeps that to herself, and later follows the teen. Thereby Claire becomes fixated on her pregnancy, thinking it might be from her husband. During a group counseling session for bereaved parents, when Dan speaks from his heart about their loss, Claire only gives him some dirty looks. An awkward relationship develops between the women from different generations, as tension in the domestic drama grows and questions of morality arise as well as many plot twists.

Undertow movie 2018 ending explained

A photojournalist, grieving the loss of her stillborn child, is drawn into an obsessive relationship with a pregnant teenager. Williams Martin Blum. Drama Thriller. Filmed in my hometown Geelong the locations are all too familiar it was quite strange but liked it. A unique relationship is formed between a women who is unable to have a child after a stillborn and a sexy young teenage girl who is pregnant.

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See the list. Internationally, streaming platforms could also provide a path to a broader audience. Details Edit. But Nation is more interested in exploring complex, fraught relationships between women. With things at home still raw, tense and tinted by loss, rather than instigate a confrontation Claire starts to follow the girl. See production info at IMDbPro. The first to revive or review this film ,even two times due to slenderistic language and inputs that seemed to be inappopiate or whatever, but i try again, which'll be the th review from the nearly blind and ten thumbed handed grumpy old man The upset Claire keeps that to herself, and later follows the teen. Struggling to accept the loss of her baby, Claire becomes suspicious of her husband's relationship with a feisty young woman, Angie. Related articles. Stephen A Russell. Videos 2. When Claire attends a group counselling session with Dan, she is struck by the highly unusual sight of small black crabs crawling across the floor. Silvi Vann-Wall.

Struggling to accept the loss of her baby, Claire becomes suspicious of her husband's relationship with a feisty young woman, Angie. Sign In Sign In.

The Conversation. About the Author Mel Campbell is a freelance cultural critic and university lecturer who writes on film, TV, literature and media, with particular interests in history, costume, screen adaptations and futurism. Play trailer See detailed box office info on IMDbPro. No comments yet. Remember Me. The Second review — Rachael Blake ventures to dark places in steamy thriller. But Nation is more interested in exploring complex, fraught relationships between women. Photos Load more articles. Through the probing compositions of the first-rate Australian cinematographer Bonnie Elliott, the relationships between people and places act as visual motifs. Internationally, streaming platforms could also provide a path to a broader audience. Reuse this content. FAQ Comments … Sign in or create your Guardian account to join the discussion.