the wall movie meaning

The wall movie meaning

There is no short answer for what the Wall means, nor even a singular answer, at that. Like the wall movie meaning art, it means different things for different people. On top of that, part of what makes the Wall so brilliant is it's narrative complexity, the way it can be equally applicable on a personal, social, political or international level.

The rock opera "Pink Floyd: The Wall," first performed in , came at a time when some rock artists were taking themselves very seriously indeed. While the Beatles and Stones had recorded stand-alone songs or themed albums at the most, The Who produced " Tommy " in and "Quadrophenia" in This isn't the most fun to listen to and some viewers don't find it to much fun to watch, but the film is without question the best of all serious fiction films devoted to rock. Seeing it now in more timid times, it looks more daring than in did in , when I saw it at Cannes. Alan Parker , a director who seemed to deliberately choose widely varied projects, here collaborates with Gerald Scarfe, a biting British political caricaturist, to make what is essentially an experimental indie. It combines wickedly powerful animation with a surrealistic trip through the memory and hallucinations of an overdosing rock star. It touches on sex, nuclear disarmament, the agony of warfare, childhood feelings of abandonment, the hero's deep unease about women, and the life style of a rock star at the end of his rope.

The wall movie meaning

It's good to spend some time alone. It allows you to think uninterrupted about the big questions. Why am I here? What are the things in life I value? What would I be capable of if pushed to extremes? Why are dogs always so happy? The nameless main character Martina Gedeck in "The Wall" has more time alone than anyone would wish. She's visiting the remote hunting lodge of two old friends. They decide to drive back into town for the evening, but she stays behind. They do not return. The next morning, concerned that they have still not come back, she begins walking down the road to the village, and is stopped by an invisible wall. She's trapped.

If a person can back up her or his interpretations with logical, well thought-out arguments based on the context of the work, that interpretation is valid.

And Who Wrote The Note? What Time is 'The Bachelor' on Tonight? The movie The Wall , which is available to stream free with a subscription on Amazon Prime , has resurfaced in the cultural zeitgeist in the last few months. And some folks have been curious enough to watch the full minute film on Amazon. Directed by Doug Liman and written by Dwain Worrell, The Wall stars Aaron Taylor-Johnson as an American soldier who takes cover behind—you guessed it—a wall, while the Iraqi soldier shooting at him taunts him on the radio.

The Wall is actually a German language film from Austria, originally titled Die Wand , based on the novel of the same name by Marlen Haushofer. The Wall starts out as a relaxed pastoral film focusing on the main character of Frau Martina Gedeck as she relaxes in a quaint cabin with a couple of loved ones and her dog Lynx. However, she soon face-plants into an invisible and impenetrable barrier that separates the property she is on from the outside world. Gedeck brings a practical seriousness to the character of Frau, and she approaches each obstacle real or imaginary with an almost clinical analysis. This is not to say that she is emotionless. At first the tale is told by Frau in her diary voiceover from the vantage point of the future, but soon her voice begins to fill in parts of the story out of order from what is expected. We may have an idea of what happens in the next act, but how each of these events take place is a suspenseful mystery. The Wall is nothing if not a mystery.

The wall movie meaning

The rock opera "Pink Floyd: The Wall," first performed in , came at a time when some rock artists were taking themselves very seriously indeed. While the Beatles and Stones had recorded stand-alone songs or themed albums at the most, The Who produced " Tommy " in and "Quadrophenia" in This isn't the most fun to listen to and some viewers don't find it to much fun to watch, but the film is without question the best of all serious fiction films devoted to rock. Seeing it now in more timid times, it looks more daring than in did in , when I saw it at Cannes. Alan Parker , a director who seemed to deliberately choose widely varied projects, here collaborates with Gerald Scarfe, a biting British political caricaturist, to make what is essentially an experimental indie. It combines wickedly powerful animation with a surrealistic trip through the memory and hallucinations of an overdosing rock star. It touches on sex, nuclear disarmament, the agony of warfare, childhood feelings of abandonment, the hero's deep unease about women, and the life style of a rock star at the end of his rope. What it doesn't depict is rock performance. There are no actual concert scenes, although there are groupies and limousines and a personal manager. Or perhaps there are concert scenes, and they're disguised as an extended portrait of a modern fascist dictator whose fans morph into an adoring populace.

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Archived from the original on 4 August Army, claiming to be Isaac himself. The opera's most famous song becomes its best scene. The film depicts the construction and ultimate demolition of a metaphorical wall. Archived from the original PDF on 6 January The Wall Live — Ah, the dog. Recently viewed. Interiors were shot at Pinewood Studios , and it was suggested that they suspend Geldof in Christopher Reeve 's clear cast used for the Superman flying sequences, but his frame was too small by comparison; it was then decided to make a smaller rig that was a more acceptable fit, and he lay on his back. But friends loved it. Feel free to use my analysis as a resource as long as you cite my web site as a reference. It's helped me. It's definitely darker, and the songs are very long, but there are only a few of them.

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They were only five rows ahead of me and I'm sure I saw Steven Spielberg mouthing to him at the end when the lights came up, 'what the fuck was that? On top of that, part of what makes the Wall so brilliant is it's narrative complexity, the way it can be equally applicable on a personal, social, political or international level. This is a flower so gynecological that Georgia O'Keefe might have been appalled. All I got out of it was some evil school turning kids into zombies and then putting them through a meat grinder, some nutzo guy forming a Neo-Nazi-type group, and some animated scenes of what appear to be a post-apocalyptic wasteland filled with monsters and some whacko evil judge. In other projects. His wall is shown to be complete, and the film returns to the first scene. Roger Waters stated it best in his interview when he said, "[the worms] were my symbolic representation of decay. Pink stops hallucinating and screams, "Stop", deciding he no longer wants to be in the wall. The white top half of the wall and the red bottom half mirror the color scheme of the crossed-hammer insignia in Pink's later dictatorial dementia. As a society, and equally as individuals, we have been conditioned to distance ourselves from pain, even if that pain helps us in the long run. Perhaps too many questions.

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