Sony cyber shot dsc rx1r ii

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The Sony RX1R II takes what made the original so remarkable -- compact size, full-frame sensor and stunning image quality -- and takes it up to a new, even more impressive level. The image quality, at both low and high ISOs, is just as fantastic, if not more so, thanks to the big resolution increase. Plus, the nifty variable low-pass filter technology adds flexibility and convenience. Not all of us can justify the expense of a fixed-lens camera with a pricetag of several thousand dollars, even if it does sport a full-frame image sensor. So how do you top those cameras?

Sony cyber shot dsc rx1r ii

Now, with the introduction of the Sony RX1R II, Sony's uber-premium compact camera takes a big leap forward with nearly double the pixel count, vastly improved autofocus performance, and a rather innovative adjustable optical low-pass filter system. As mentioned, the predecessors' image quality was excellent, and that is still true with this new model, but even more so. With a megapixel backside-illuminated full-frame sensor, the camera packs in even more resolving power. Image quality is fantastic, particularly at low to moderate ISO's straight out of the camera. Furthermore, as is characteristic of recent Sony cameras, the dynamic range performance from the RX1R II is outstanding. One of the all-new features of this camera is its unique variable optical low-pass filter. Unlike the predecessor, which was offered in two models -- one with an OLPF and one without -- the Sony RX1R II lets you adjust the strength of an actual optical low-pass filter, or disable it completely. The system works very well. Images do indeed show increased detail when not using the OLPF, and if you can't decide which filter setting to choose for a given subject, the camera includes an OLPF bracketing mode! While overall, the lens is nice and sharp, we did find noticeable vignetting if in-camera shading correction is turned off the camera also bakes-in vignetting correction to RAWs, so keep that in mind if you like to do you own corrections.

However, if you like to bounce back and forth between framing in the finder or on the monitor, now you can configure the camera appropriately to facilitate that.

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It features a A Bionz X processor is included, the latest Sony processor available. Sony has managed to do this while only adding a couple of mms to the dimensions of the camera. In order to release the electronic viewfinder, you need to push down a lever on the far left hand side of the camera. This makes for a smooth transition between using the screen and the finder, and more akin to using a traditional camera.

Sony cyber shot dsc rx1r ii

The high-resolution sensor, the addition of the viewfinder and the variable optical low pass filter are great features; but there are enough reasonably small niggles to add up to a less than perfect offering. Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test. Eight years on, it is now one of a very select band of full-frame compact cameras — and still has features that make it stand out from other fixed lens cameras. Sony has stuck with the classic 35mm focal length as with its very similar predecessor the RX1R, and this wide-angle focal length is versatile for landscapes, portraits, architecture and street photography. Viewfinder : 0. As the screen is not touch-sensitive, each control must be adjusted physically: aperture is altered using a ring around the lens, while exposure compensation can be adjusted via a dedicated dial. Colours are beautifully saturated too. Image processing and zooming to check critical focus are also slow because of the large file sizes. The amount of fine detail the RX1R II is capable of resolving is absolutely superb, but uncompressed raw files can be around 80MB each.

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These can be set to a number of different functions, such as ISO or white balance, but you can also change the functions of the four directional keys, the central button, the AEL button and the scrolling dial around the central button. It turns out that Sony's illustrations in the product presentation and in the demo room afterwards were simplified for the sake of communicating the concept, and so left out some details. Sony's just taken the whole thing up a notch, though, with technology that lets them vary the strength of the low-pass filter electronically. Not a lot has changed design-wise compared to the original, at least at first glance. The Sony RX1R II takes what made the original so remarkable -- compact size, massive full-frame sensor and stunning image quality -- and takes it up to a new, even more impressive level. While overall, the lens is nice and sharp, we did find noticeable vignetting if in-camera shading correction is turned off the camera also bakes-in vignetting correction to RAWs, so keep that in mind if you like to do you own corrections. Not all of us can justify the expense of a fixed-lens camera with a pricetag of several thousand dollars, even if it does sport a full-frame image sensor. Ricoh GR II. The macro-mode performance of the lens is also a little lacking, as we found with the earlier RX1 models, too. Here, we top-out with a usable 4 x 6 inch print. Autofocus speed is said to be about a third faster thanks to the switch to a Fast Hybrid AF system although we couldn't confirm that with a static subject in the lab. Canon G5X.

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The system works very well. That's good news, because the A7R II has great image quality, and provides detail by the boatload. While overall, the lens is nice and sharp, we did find noticeable vignetting if in-camera shading correction is turned off the camera also bakes-in vignetting correction to RAWs, so keep that in mind if you like to do you own corrections. Cameras like this which have a high price tag and limited functionality will naturally only appeal to a few photographers. Personally, I'm not a big fan of the 35mm focal length. Now however, Sony has hit back with something which competes extremely well. It tilts upward degrees and downwards 41 degrees, so it's not selfie-friendly. Sony A7S II. That's a handy addition if you want to be certain to avoid blur not only from camera shake, but also from subject motion. Autofocus speed is said to be about a third faster thanks to the switch to a Fast Hybrid AF system although we couldn't confirm that with a static subject in the lab. Despite lab tests not indicating significant AF speed improvements, in real-world shooting, AF performance was quick and snappy in most situations, though AF speeds can sometimes slow down when attempting to focus on lower contast subjects. There are still a reasonable number of problems with it, which stop it from claiming a full 5 stars. Sony RX10 IV. You can shoot with confidence throughout the native sensitivity range and still make decent prints all the way up to Print quality and image quality are similar but not identical, because what you see on a print isn't always the same as what you see on the screen.