Shotonwhat

Yes, I saw Adrian mention it in a recent post and that shotonwhat the first time I'd heard of it.

Very interesting to see what lenses were used on certain films. I wish they had more details, such as which camera used which lenses when listing the cameras. Hmmm, I wonder how reliable the information is and where they're getting it. Outside an ACM feature article there doesn't tend to be a lot of external reference on the actual focal lengths selected from an available product range. The Fincher articles tend to go into this sort of detail but, sadly, a lot of others you might just read a reference to the family of lenses or a specific lens that was selected for a special purpose. If it's even half as detailed as the Internet Movie Gun Database it'll still be really interesting.

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If it has been seen on TV or shown in a theater, we are gathering as much technical information as possible about the cameras, lenses, gear, post, sound, VFX and other associated elements, processes, and notations. On September 17, we began collecting details and making the information searchable, cross referencing it, and creating some trending to observe long term shifts in technology. In time, this repository of technical and equipment data will grow to become essential for industry professionals and the production history, stories, anecdotes and details will be invaluable for professionals, researchers, students, and movie-buffs alike. Anyone with accurate knowledge about the Motion Picture industry is encouraged to add and update information and record the details and history of the significant contributions Production and Post-Production technology has made to the entertainment industry. So please add your productions. Send us lists and links to information. Missing something?

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Aapo Lettinen Posted December 28, And as I suspected, most of the really good looking movies that were shot digitally all have a film negative delivery master which would take the digital edge off the DI. The script and the characters were not up to scratch, even if the story concepts from At the Mountains of Madness were way cool. George Theodore Ferguson Posted December 27, Posted April 25, Looks like their initial database is pulled right from IMDB. Still, it appears to be faster to get to what you want if you want to jump right into the tech specs. I have become an even bigger fan of Zeiss Ultra Primes as a result. Looks like they allow folks to submit new information a bit easier than IMDB's unforgiving, user-hostile interface. Outside an ACM feature article there doesn't tend to be a lot of external reference on the actual focal lengths selected from an available product range.

Making its debut late , ShotOnWhat? James also stated that this site was created because a fair amount of history is being lost, or relegated to arcane or inaccessible resources. This site is available for everyone to contribute and use.

Probably the most interesting to me are the Final delivery and film stock categories - so if you see a certain grain you like, you at least have a starting point to use for recreating it. Looks like they allow folks to submit new information a bit easier than IMDB's unforgiving, user-hostile interface. Perfect to keep up with community on your smartphone. Alexandros Angelopoulos Apostolos Posted April 23, Make sure to join PV on Telegram or Facebook! Tyler Purcell Posted October 18, Clint Hulsey Posted April 25, I have become an even bigger fan of Zeiss Ultra Primes as a result. Register a new account. Stuart Brereton Posted December 28, Already have an account?