Se munro egg 150

By Brad Watts, se munro egg 150. Like eating deep fried tarantulas on a stick… and sky-diving. Jumping out of a plane toward earth at 9. Relatively speaking however, compared with most typical nearfield monitors, the MunroSonic EGG monitors are a decidedly extreme departure.

SE Electronics have enlisted the help of renowned acoustician Andy Munro to design these striking studio monitors. Does their unique approach to speaker design pay off in the real world? In an ever-changing world, the one thing we can probably always rely on is the fact that, at some point, the 'music' in whatever electrical form it might be has to be turned into acoustic sound waves for us to hear — and in most cases that means some form of monitoring loudspeaker. And that's an important point: none could be said to be 'perfect', and it's very hard even to point at a high-end professional monitor that could approach true perfection in every respect! The plain fact is that loudspeaker monitoring remains the weakest link in the audio chain by a considerable margin, producing far more distortion and unwanted response irregularities than anything else. Although it's true to say that small and incremental advances are still being made, fundamental loudspeaker science has barely changed in well over 50 years. The differences between the countless monitor speakers basically come down to slightly different design compromises and priorities, with the end users choosing one model over another largely on the basis of personal preference rather than technical achievement.

Se munro egg 150

Formerly sold under the SE brand, these Andy Munro—designed Egg speakers have been given a major update. Andy Munro is well known for his commercial studio designs, and also his previous involvement with Dynaudio loudspeakers. As with the original Eggs, the cabinet is a ported, egg—shaped, 14—litre moulding. The shape provides both mechanical rigidity and a significant reduction in diffraction, as there are no sharp cabinet edges. The curved surfaces also break up internal reflections and suppress standing waves, so despite the technical challenges in manufacturing this type of cabinet, there are many potential benefits. The reflex port is tuned to 51Hz, and the overall frequency response of the speakers is 45Hz to 20kHz at the —3dB points. As before, there are recessed LEDs that are visible only from the sweet spot, making it easy to physically align the speakers, which come with their own adjustable bases. Handling the highs is a one—inch silk—dome tweeter with a neodymium magnet, while the lows and mids are delivered via a mm polypropylene—cone woofer. As far as I can tell these drivers are the same as those fitted to the original Eggs — the most noticeable changes are in the amp pack. As well as avoiding potential problems due to mechanical vibration, this approach means the user can put the controls close at hand. However, a separate monitor controller may still be necessary as there are no dim or mono switches on the amp. All the active crossover circuitry 2. Though the amplifiers may seem modestly powered when compared with other active monitors, they pack plenty of punch, with their 35V power rails providing adequate headroom and allowing a maximum SPL, per pair of speakers and at one metre, of dB. All the circuitry is traditional analogue, an approach Andy Munro has taken to avoid problems being introduced by digital conversion systems and digital volume controls. The dual-power-supply design is also linear rather than switching—mode, and protection against overload and short circuits is built in.

I think not.

I have a new interest in hifi and it is in active speakers. It all started with the Hypex AS2. These weren't perfect, but still impressed me with their tight, dynamic and clear sound. Sadly, they had a few flaws that spoiled their performance a bit, for me, but I was still convinced that active speakers were a superior solution. I had always known this, to be honest, but never really experienced it.

By Brad Watts. Like eating deep fried tarantulas on a stick… and sky-diving. Jumping out of a plane toward earth at 9. Relatively speaking however, compared with most typical nearfield monitors, the MunroSonic EGG monitors are a decidedly extreme departure. Huge eggs from some giant prehistoric bird or reptile, or an instalment of the Alien movies, but eggs nonetheless. A mere gimmick? I think not. Most would recall science classes during their school years where a science teacher enthusiastically compressed a chicken egg between their hands.

Se munro egg 150

Many sE microphones come with their own shockmount, with a few exceptions. If you need a replacement shockmount for any of our other microphones, please fill out our Support Request form. All of our passive ribbon mics are phantom-protected, so they will not be damaged by phantom power.

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If you like the system, you can buy it, and if you don't, you can ship it back — all at SE's expense. Though the amplifiers may seem modestly powered when compared with other active monitors, they pack plenty of punch, with their 35V power rails providing adequate headroom and allowing a maximum SPL, per pair of speakers and at one metre, of dB. They can look a bit odd, certainly on stands. Of course, the reason the entire system has to be shipped back — both speakers and the amplifier unit — is because the amplifier channels are finely matched to the drivers, and any repair or replacement will require complete realignment of the whole system to maintain the original factory specifications and tolerances. I think this has mainly to do with the crossover region, which is virtually completely free of any artefacts, at least as far as I can hear. Like you, I love this system and hope sE improve the amp issues in the future I think there are more to show up. Save my name, email, and website in this browser for the next time I comment. It's a beautifully simple and attractive idea but, as is always the case, turning the concept into engineering reality is far from trivial and it has taken the team over two years to perfect. They produce a very composed, full bodied sound. I've also placed the monitors away form my notebook and other devices but the noise doesn't change. The Munro Egg is a two way system with a 6 inch woofer and a 1 inch soft dome tweeter in a front ported, egg shaped enclosure. They are no longer linear supplies. Front-panel mid-range EQ modes.

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There is also RFI interference on the monitors. And that's an important point: none could be said to be 'perfect', and it's very hard even to point at a high-end professional monitor that could approach true perfection in every respect! Once done, the LEDs can be turned off via a switch on the rear of the amplifier. And that's why I started this thread because I didn't know if there's a chance to reduce the noise. Can you hear the same sound in the headphones? The subtle room tones and reverberation of old jazz recordings was very audible — something that lesser speakers fail to extract — and the overall tonal balance was spot-on, to my ears. Of course they have a character, and that does have an effect on the reproduction, but it is sufficiently subtle to not interfere with the specific atmosphere of a recording. I tried a lot of solutions They make good mixes sound great but reveal every flaw in imperfect ones, just as an effective monitor should, and though the cost has increased slightly compared with the original Eggs, the amplifier pack improvements and the shift to UK manufacturing more than justify it. It does, however, affect the way these speakers deal with complex rhythms. Being clean, clear and tight often makes a speaker analytic and overly sensitive to recording quality, but the Eggs are actually quite musical, easy to listen to and even play lesser recordings without pain. The interference heard in your monitors when switching on a light or when a mobile phone transmits is unfortunately normal for many audio products and is a completely separate effect from the hiss. The differences between the countless monitor speakers basically come down to slightly different design compromises and priorities, with the end users choosing one model over another largely on the basis of personal preference rather than technical achievement.