Robbie vincent

Robbie was a journalist who gained popularity on the airwaves as one of BBC Radio London's favourites, joining the station in to present his famous phone-in show, robbie vincent.

Robbie Vincent is a deejay who influenced many listeners to Soul Music, long before the days that the deejay would, themselves, become superstars. To pinpoint quite why he is held in such high esteem with those Soul fans in the South East of the U. That is simply timing. He was on the radio, during a period of great change within musical circles. The Sixties had left a musical void with the demise of the Fab Four and the departure of the Holland, Dozier, Holland team from the Tamla Motown stable. With a fresh musical canvas to work upon, artists could experiment with styles.

Robbie vincent

Greetings fellow soul survivors. Like many of my then teenage generation of the late s and early s, I grew up listening to Robbie Vincent Saturday morning Fast forward to and having started the Soul Survivors Magazine with former co owner Anna Marshall, we mutually agreed at some point interviewing Robbie Vincent was on top of our hit list and was one of the most requested from our readers as a future feature. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Main menu. Long story short Robbie was unable to get upstairs to the VIP area. I providential happen to be in the vicinity and with me having worked at the Jazz Cafe since and knowing the management, I told them as they were ignorant of who Robbie was that he was a VIP, and the dully allowed him upstairs. Robbie who had just recovered from a serious illness, agreed and we gave him this front cover for issue 32 in our exclusive members issue in September Here is a segment of our exclusive at the time interview with Robbie. To order a hard copy of that edition go to. Read and enjoy…Fitzroy.

Article Talk, robbie vincent. The band went on to have a renewed career in the next few years and UK hits.

As a champion of jazz, funk and soul music in the UK during the late s he made an important contribution both live in clubs and on radio. The teenaged Robbie Vincent moved up from newspaper messenger boy, aged 15, to print journalist reporting for the Evening Standard on the trial of the notorious gangsters, the Kray twins , and from the troubles in Northern Ireland. With a potential audience in Greater London of 7. During the miners' strike of early and the resulting three-day week that limited the nation's consumption of electricity, Vincent was hosting a new style of show called 'Late Night London' and playing devil's advocate with listeners who called in by telephone to air their problems or opinions. The programme was broadcast late in the evening and was among the first to establish the format for the radio phone-in in the UK.

Photographed by Roger G Clark. The soul tribes of Britain saw white and black kids gathering together in underground clubs discovered only through the grapevine, and often unlicensed for alcohol. On dancefloors across the land, the acrobatic tribes competed to improvise the wildest dance moves and to build the highest human pyramids. None of this could have been imagined in America, with its strict apartheid between black and white music, and limited chances even for Motown artists to cross over into mainstream charts and playlists. Vincent was one of three deejays who soon headed what became known as the Soul Mafia working in London and the south-east and bringing real pressure to bear on record companies to release quality US acts in the UK. For a while, and encouraged by Hill, the Gold Mine had the monopoly on GI uniforms and scarlet-lipped jive-dolls during its Glenn Miller and swing revival. As a club deejay Vincent was the least theatrical in his presentation. The destructive effect of the dire film Saturday Night Fever and its musically inane Bee Gee soundtrack cannot be overstated as its infection swept the globe in

Robbie vincent

As a champion of jazz, funk and soul music in the UK during the late s he made an important contribution both live in clubs and on radio. The teenaged Robbie Vincent moved up from newspaper messenger boy, aged 15, to print journalist reporting for the Evening Standard on the trial of the notorious gangsters, the Kray twins , and from the troubles in Northern Ireland. With a potential audience in Greater London of 7. During the miners' strike of early and the resulting three-day week that limited the nation's consumption of electricity, Vincent was hosting a new style of show called 'Late Night London' and playing devil's advocate with listeners who called in by telephone to air their problems or opinions. The programme was broadcast late in the evening and was among the first to establish the format for the radio phone-in in the UK. As the TV shut down the lights went off, radio really triumphed, and my evening phone in succeeded beyond all expectations. In , Vincent was pursuing his own tastes by also hosting a music show on the same station over Saturday lunchtimes. The show grew to be considered essential listening by the capital's soul music fans. As a direct response to similar Northern soul all-nighters, it attracted the fanatical 'soul tribes' from across Britain.

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He was also one of the broadcasters responsible for the rising popularity of soul music, playing sensational tracks such as Billy Griffin's 'Believe It Or Not' and Hindsight's 'Small Change', which gained much needed airplay. The Saturday show standard format would be displaced by Vincent's popular 'All Winners Show' where the fans would choose the tracks to be played. He would often present the shows with his own laconic slant by introducing records with remarks such as 'This one has a government meltability warning', 'Carefully selected so that only the best reach the turntable' and 'Open the fridge door and make sure it's packed with ice'. Retrieved 13 April He moved on to Sunday evenings up until , after which he moved on again to Kiss FM for the stations 'Soul Era' in the early Nineties. It really was "the sound of Sunday Night", as the jingle claimed! James Brown was completely bonkers larger than life and a bit like Bobby a bit of a scatter gun.. Sadly the show came to an end in Just one. Well done Jazz FM for a superb new line-up. There are so many unsung heroes of music, each of whom has made a wonderful contribution to the good music cause.

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Robbie decided to move on, and since his departure the station has too, becoming 'Smooth Radio', playing the same old same old mix of music as just about everyone else. The Sixties had left a musical void with the demise of the Fab Four and the departure of the Holland, Dozier, Holland team from the Tamla Motown stable. In addition, the mainstream jazz movement, so often omitted from history, received a significant boost due to unknown and new artists being given a media platform. As a direct response to similar Northern soul all-nighters, it attracted the fanatical 'soul tribes' from across Britain. After a spell at Kiss FM , from February he hosted the breakfast show on London's Jazz FM although left when the management changed at the end of I providential happen to be in the vicinity and with me having worked at the Jazz Cafe since and knowing the management, I told them as they were ignorant of who Robbie was that he was a VIP, and the dully allowed him upstairs. In fact he allocated his final hour of the show for Soul and Dance music in it's early incarnation , with the rest of the show comprising of, what we would describe today as, 'Soft Rock'. In , Vincent was pursuing his own tastes by also hosting a music show on the same station over Saturday lunchtimes. With a fresh musical canvas to work upon, artists could experiment with styles. Vincent continues to broadcast on Jazz FM with his own show each Sunday between 1pm and 3pm. Sadly, in late , Robbie departed Jazz FM. Leave a Reply Cancel reply Your email address will not be published. In Vincent's personality won him a Variety Club award. Later the terms Jazz and Soul almost became obsolete as the Black and Blue Eyed Soul performers umbrella grew to accommodate all of these genre's.