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Dosyalar Tarih Non-appearence of any information about Silifke area worded wooded spoon dances within the previous studies about the area's dances has encouraged us to do a research about this subject. In the first section, the existence of wooden spoon as a instrument of rhythm and after information about Silifke Area has been given. The boundaries are put down.

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The lyrics describe their nomadic journeys, or their daily routines when settled.

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Dosyalar Tarih Folk dance musics originate from self understanding of the arrangers in a conversational way of its context and applied methods in general. These are new applications which are yet in seeking of the limits of its context and applicable methods. The teacher teaching the folk dance groups should protect the music accompanying the group while dancing. The arrangement on the notes in the melodie could be contrary to the natural structure of the dance and also of the province of this dance. Dance teachers and musicians should act by thinking the responsibility conscious against the society at first while arranging. Music comes from an individual act and in a time period, it belongs to the society.

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Hangisi daha bilimseldir? These classifications have different characteristics. Some of them handle the subject from different aspects as well as some of them are movement-based. However, the truth is a movement-based classification. Because, the thing classified is movement and performance. Some of the researchers have not dealt with the Turkish folk dances in terms of type concept; there have been even ones who argue that they are not included in type concept. However, when the word type is analyzed, the fact that folk dances can be dealt with type concept emerges. In addition to this, there are even sub-types of these types. When the Turkish folk dances are classified, there have also been the ones who categorized according to the tools used in hands. However, the tools used in hands do not have an effect on the movement of the performance or do not make contribution to the movement of the performance.

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Fringe — Much More than Frill 3. The minor sentences forming the sentences forming the sentences will be indicated with the following symbols. We have limited our study with songs with word and spoon. Dosyalar From Cloth to Clothing 5. The spoon songs take place in our people's entertainment I tradition in two ways; with words and without words. Why Do We Dance? In the second section information about the wooden spoon used in the area's folk dances are given and the wooden spoon cai'nes in front of us with various identities. This sense of rhythm of the human, has got into the music and in the course of the time it has come to a form that can not be given up. Broad information about this subject has been given under the subject of form studies. Indeed, The Turkish Folk Music can be grouped in many ways when the properties it contains are taken in to consideration. Why Do I Dance? The only exception seems to be a special bride-groom dance at a wedding. The Turkish people have proved that they were most capable nation to form a VII music containing the rich properties of either social, historical and geographical location and features. As a matter of fact, the spoon, which can not be given up in.

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This sense of rhythm of the human, has got into the music and in the course of the time it has come to a form that can not be given up. A map showing the major dance regions of Turkey. Like Loading As a matter of fact, the spoon, which can not be given up in. The musical expressions fonned are called sentence or minor sentence. Share this: Twitter Facebook. Cloth, A Brief History 4. Tarih Why Do I Dance? Such periods formed in the art life of the human, has been able to catch a common point in our music as well. Than various opinion about the dance has been put down. We have limited our study with songs with word and spoon. In these regions we have mentioned the spoon is used as an rhythm instrument.