Jat embroidery

Dhanetah Jat women design and produce exquisite, labour-intensive embroidery.

In the Gujarat state of India, the Kutch region is renowned for its fine folk, colourful and mirrored embroideries. Traditionally stitched by village women, for themselves and their families, to create festivity, honor deities, or generate wealth, this craft has passed on for generations from mother to daughter. While embroideries contributed to the substantial economic exchange required for marriage and fulfilled other social obligations which required gifts - unlike most crafts they were never commercial products. Each community in Kutch , due to historical, socio-economic and cultural factors, has a distinct tradition, its own and unique style of embroidery, different motifs, combination of stitches, patterns and colours that give them a visual identity. The identity of every Kutchi person is woven in the stitches of these embroideries.

Jat embroidery

Kutch Embroideries: Detail of an embroidery panel showing different styles of embroidery Dastkari Haat Samiti. Many private collectors of antique textiles and museums acquired a large quantity of embroideries from Kutch during the last decades of the 20th century. By the beginning of the 21st century, progress and development had brought realization of the value of the embroideries of this region. Lovingly made for personal use, some had remained in the possession of their creators. Today, they serve as reference pieces for new work. The old work indicates designs, patterns, motifs and stitches that point clearly to the identity of the community to which the embroiderer belongs. There was no attempt at story-telling as in embroideries found in some other parts of India. However, in recent times, certain communities have begun to expand their narrative and depict stories of life and situations around them. Kutch Embroideries: Old embroideries help to create reference pieces for preserving styles and developing new designs Dastkari Haat Samiti. A sampler piece of Jat embroidery made in the 21st century, following traditional stitches. The Jats are said to have travelled from Halaf, between Iraq and Iran. They followed grazing lands for their herds of cattle, camels and goats, to eventually reach Kutch, in Gujarat.

Garasia Jat work "belongs" specifically to the Garasia JatsIslamic pastoralists jat embroidery came from outside of Kutch region.

Kachchh Embroidery. See Kachchh Embroidery. In Maiwa staged an exhibition of Kachchh embroidery. Read about that exhibition here. Below, meet some of the communities Maiwa works with:. Rabari are expert camel breeders, cattle herders and shepards.

Craft is a living creative industry made from the hands of skilled artisans and generations-old tradition. Kutch is known for the colorful silken threads that decorate traditional Kanchlies and Kanjaries worn by Kutchie women. Embroidery is the most visible and recognized craft in Kutch. Color and craftsmanship are not limited to Kutch embroideries. For generations, Kutch has been home to nomadic communities whose traditional work of animal husbandry and craft have lent to each other forming a rich economic and cultural tapestry. Today, Kutch is a confluence of various art, craft, and music forms. Migration brought the distinctive elements of craft traditions from Sindh and Northern India to Kutch. While craft constitutes the second largest sector of the Indian economy second only to agriculture , in Kutch, craft and agriculture are parallel economies. Unfortunately, many natural disasters have denigrated Kutch livelihoods. This dependence coupled with limited access to raw materials and markets has resulted in the vulnerability of Kutch artisans and their craft traditions.

Jat embroidery

Kutch Embroideries: Detail of an embroidery panel showing different styles of embroidery Dastkari Haat Samiti. Many private collectors of antique textiles and museums acquired a large quantity of embroideries from Kutch during the last decades of the 20th century. By the beginning of the 21st century, progress and development had brought realization of the value of the embroideries of this region. Lovingly made for personal use, some had remained in the possession of their creators. Today, they serve as reference pieces for new work. The old work indicates designs, patterns, motifs and stitches that point clearly to the identity of the community to which the embroiderer belongs.

Pandora blue leather bracelet

The Rabaris are a large community of Hindu pastoralists. For centuries embroidery has been an expression of personality Maiwa works with Dhebaria and Kachchh Rabari. The development has drastically affected the lives and livelihoods of the camel herders. The goal is financial self-determination and empowerment through education and a clear sense of the value of their work. Detail of a Contemporary panel in traditional Jat embroidery design. Panel showing Node embroidery. A sampler piece of Jat embroidery made in the 21st century, following traditional stitches. Mutwa The Mutwas are a small culturally unique group of Muslim herders who inhabit Banni, the desert grassland of northern Kutch. The power of Jat embroidery comes largely from the closely stitched patterns that completely cover the cloth. The distinctive style in this panel is of a smaller community called Meghwar who embroider heavily encrusted pieces, but with fewer mirrors and a few selected colours. Rabaris also use decorative back stitching, called bakhiya , to decorate the seams of women's blouses and men's kediya jackets.

The Kutch Embroidery is a handicraft and textile signature art tradition of the tribal community of Kutch District in Gujarat , India. In certain patterns, it is also crafted over silk and satin.

Kachchh Embroidery. They were known by the name Dhanetah Jats, which means herder. Control over the movement of women in public has led to various ironic role reversals, such as men fetching water for the women from the village well. There was no attempt at story-telling as in embroideries found in some other parts of India. The Jats were pressured by the government to settle and found themselves on the least fertile land. Doing them is like having a savings account. Five hundred years ago the Jats resided in the Halab region of present-day Baluchistan. Detail of a Contemporary panel in traditional Jat embroidery design. Khaarek is a geometric style also counted and precise. This is from the personal collection of A. Some, known as Fakirani Jats, became holy men devoted to studying the Qur'an. Translate with Google. Paako , literally meaning "solid", is a tight square chain and double buttonhole stitch embroidery, often with black slanted satin stitch outlining.