Japanese pottery marks satsuma

Satsuma ware is perhaps one of the most well known of the Japanese pottery styles often richly decorated with fine detail and liberal use of gold.

Listed are also some modern Japanese porcelain marks. We regularly update this page. Last updated: February We are a member of eBay Partner Network. When you click links on this site and make a purchase, this can result in this site earning a commission. Often found on Imari Arita porcelain.

Japanese pottery marks satsuma

Even if you don't speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, providing that you follow some simple rules. To start, the markings are read in the opposite direction to English. Start at the top right hand corner and read down. If there are 2 lines of Kanji characters, move to the left and start at the top of the next line, reading downwards again. Many of the Japanese makers marks on Satsuma porcelain or pottery are simply the name of the person who made the item, or a generic marking such as "Dai Nippon Satsuma". You may also find that there are no main markings, only Japanese numbers. These types of markings are more common on larger vases that form part of a set. The piece may be marked as "Left 3", meaning that it should be positioned as the third item on the left-hand side. Obviously, a vase like this would be part of quite a large set. The centre item may have the main marking of the maker on if it is of sufficient providence. I do not read Japanese at all, apart from a few simple Kanji that I have become used to. I often refer to a Kanji online system that allows you to build up the symbol piece by piece to make the word.

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Large Satsuma vase depicting the seven gods of good fortune. Height: 38 cm. Mark: Dai Nihon Satsuma Gyokusen zo. Meiji period, circa s. The typical Satsuma ware we most of the time comes into contact with is a yellowish earthenware usually decorated with a minute decoration with Japanese figures, expressive faces or detailed oriental landscapes, or sometimes embellished with vivid dragons in relief. This ware is in fact an export product specifically designed in the mid 19th century to cater to the western export market. The Japanese themselves had very little interest in this ware.

Collecting Japanese satsuma ware is accessible to many, but starting a collection can be daunting. Prior to this, there was no real ceramic industry to speak of in the Satsuma region. There are two distinct types of Satsuma Ware. The original Ko-Satsuma is characterised by a heavy dark glaze, often plain, but occasionally with an inscribed or relief pattern. This style is rarely seen outside museums and it proliferated up until about Famed for its delicate ivory coloured ground with finely crackled transparent glaze, it was markedly different to Ko-Satsuma. These early designs focused on over-glaze decoration of simple, light, floral patterns with painted gilding. Colours often used were iron red, purple, blue, turquoise, black and yellow. The first presentation of Japanese Arts to the West was in and Satsuma ware was one of the star attractions.

Japanese pottery marks satsuma

Even if you don't speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, providing that you follow some simple rules. To start, the markings are read in the opposite direction to English. Start at the top right hand corner and read down.

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Mark: Right colum: Dai Nippon. A comment on Kyoto or Awata wares as compared to Satsuma ware is that pieces manufactured in Awata near Kyoto, after the Edo period, are all called Kyoto Satsuma. Under him the family produced mainly for the export market, in particular to America where his products were much sought after. Daimyo Hi Kamil, did you find anything on this mark? Privacy Policy. It is richly decorated with a boat on one side and figures on the other. We regularly update this page. This mark from a mini vase painted with a Hanami festival scene, click the image to see the complete vase. Thanks for the great references! Shimazu family crest; cartouche reads Kazan. Taisho period Late Edo or Meiji. Could you possibly help me with this? Also reads Dai Nihon Great Japan above.

Large Satsuma vase depicting the seven gods of good fortune. Height: 38 cm.

The lower cartouche is: Satsuma, Hododa. Mark from a landscape painted vase, Meiji period. Any help identifying this is much appreciated. Date: Click here to see large picture The mark on bottom missing from hole? There are 2 pieces, 1 vase and 1 plate. It is a set so can provide more photos if required. Ritches auctioneer appraisers in Toronto. Mark from a cake stand with birds, late Meiji or Taisho, the item clearly influenced by the Kutani style and is likely a hybrid item, perhaps a Kutani painter working for a Satsuma kiln. Thanks kindly,. It expires when we close the browser. Hi Joy. Satsuma tea bowl, by Kozan. Appearance of Kinkozan studio mark can vary greatly based on the decorator and quality of the piece.