Dual super lead

This power-packed amp head, though no longer in production, continues to captivate the hearts of musicians worldwide. Its timeless design coupled with an impressive load of features gives it an edge in the realm dual super lead music gear. The DSL, standing for "Dual Super Lead", is fortified with a dual footswitchable channel design, offering versatility at your fingertips, dual super lead. Each channel is equipped with a three-band EQ, presence, and reverb, offering you the ability to fine-tune your sound to perfection.

The Classic Gain has two modes capable of providing classic Marshall tone and high gain modern tones, taking the player from a style clean right through to the snarl of a JCM The Ultra Gain channel on the other hand also features two modes, mimicking the vibe of a hot-rodded or providing even higher gain and a gut-twisting mid-boost, all at the switch of a button. Powered by EL34s and housing ECC83s, the remarkable versatility marked the DSL out as the first Marshall amp truly capable of playing any style of music, and upon its release was particularly lauded for its clean tones. On top of this the DSL also featured an effects loop and reverb to add even more adaptability. Fast forward to and Marshall looked to revisit the JCM DSL, and build a new series based around it featuring updated technology.

Dual super lead

The DSLH has two gain channels to produce that legendary Marshall sound with rich functionality for those who require flexibility and unquestionable quality. The amp can move between two sounds within each gain channel, so that players can create and release their personality through sound. There are two master volume functions so you can bring your solo to the forefront. Using the individual reverb for the two footswitchable gain channels, FX loop and tone shift controls you can experiment with your style. For those more demanding players, the amps features can be controlled using any MIDI equipment, so you can play this amp and different MIDI equipment at any one time. The DSL can be easily taken from the bedroom, to the studio onto a gig using the five available speaker outputs, it also has the ability to record and a standby function for silent recording. The DSL can be used in many environments with confidence as the power can be reduced from W to 50W without affecting the quality. DSLH The DSLH has two gain channels to produce that legendary Marshall sound with rich functionality for those who require flexibility and unquestionable quality. Key Features. Stand out on stage. Choose your tone. MIDI compatibility. Vary the output.

I love this amp, but I dual super lead to love it only after I moved to a soundproof room, where I could experiment more at higher volumes and really let it breathe and shine After trying out many amps over the years i couldn t find a amp that better mirrors the sound i ear in my head like the jcm This DSL was never used for any recordings.

Updated: Jul 8, I finally decided to give my trusty, over ten years old, Marshall JCM DSL a review - after so many years of great service, I think the world needs to know. The has two foot-switchable channels, with an optional 20db boost on the dirt channel, that is also foot-switchable foot switch included. Like most Marshalls, the two preamp channels are powered by 12AX7 tubes, one for the clean channel, two for the dirt channel and one for phase inversion. The power section is powered by a quartet of EL84s, again - typical to lower wattage Marshall amps, although at 40 Watts it could also be powered by a pair of EL34s.

Wide range of classic Marshall tones - from crystalline cleans to high gain heaviness. Power switching. MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test. From Hendrix to Slash , Iron Maiden to Spinal Tap - if guitar royalty has one thing in common, it's that they all bow down to the majesty of Marshall guitar amplifiers. Aside from a quintet of special 50th anniversary models, also brings a refreshed line-up of DSL Dual Super Lead amps. Originally launched in the late 90s as part of the JCM range, the DSL amps proved a huge hit and were critically acclaimed as a modern classic.

Dual super lead

The Classic Gain has two modes capable of providing classic Marshall tone and high gain modern tones, taking the player from a style clean right through to the snarl of a JCM The Ultra Gain channel on the other hand also features two modes, mimicking the vibe of a hot-rodded or providing even higher gain and a gut-twisting mid-boost, all at the switch of a button. Powered by EL34s and housing ECC83s, the remarkable versatility marked the DSL out as the first Marshall amp truly capable of playing any style of music, and upon its release was particularly lauded for its clean tones. On top of this the DSL also featured an effects loop and reverb to add even more adaptability. Fast forward to and Marshall looked to revisit the JCM DSL, and build a new series based around it featuring updated technology. The modernised DSL range used largely the same components as the originals but also boasted some standout new features, such as a new resonance control, digital reverb, and a two-way footswitch. Learn how to dial your DSL amp here. Marshall Home Live for Music History. Read time: 3 mins.

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The Tone Stack. Fender Bassman AB Amp. Kemper Profiler PowerRack W. Marshall Plexi SLP Orange Thunderverb W. Fender Dual Showman 8. Kemper Profiler PowerRack W Preamp Tubes Tip! The Marshall DSL JCM Dual Super Lead Amplifier Review This review shows inside as well as the amp generally and is being written currently and will not be as extensive as some of the other reviews I have written because this amp was sold some time ago but you should get some useful information about exactly how it all worked for me. A good starting point for both channels. This review shows inside as well as the amp generally and is being written currently and will not be as extensive as some of the other reviews I have written because this amp was sold some time ago but you should get some useful information about exactly how it all worked for me. Clean Tone Tip 2. The power section is powered by a quartet of EL84s, again - typical to lower wattage Marshall amps, although at 40 Watts it could also be powered by a pair of EL34s. Updated: Jul 8, Stand out on stage.

This power-packed amp head, though no longer in production, continues to captivate the hearts of musicians worldwide. Its timeless design coupled with an impressive load of features gives it an edge in the realm of music gear. The DSL, standing for "Dual Super Lead", is fortified with a dual footswitchable channel design, offering versatility at your fingertips.

To many, Marshall amps are synonymous with metal and for a good reason! On the left channel is a Telecaster vintage style neck pickup. Peavey Guitar Amp Head Although it should be clear by now, this is a 40 Watts tube amp, which means it is very powerful. The classic gain channel was not bad really and useable for guess what? The has two foot-switchable channels, with an optional 20db boost on the dirt channel, that is also foot-switchable foot switch included. Frank Iero. Live for Music. All Rights Reserved. The modernised DSL range used largely the same components as the originals but also boasted some standout new features, such as a new resonance control, digital reverb, and a two-way footswitch.