Design ni dukan

Design ni Dukaan, design ni dukan, led by Principal Designer and Architect Veeram Shah, has launched five exclusive decor pieces that explore the abstraction of form and materials. Taking inspiration from art, literature, music, and colour, the pieces feature curves and contours informed by these diverse sources. The capsule collection features everyday objects that have been re-imagined and reinvented to challenge the way consumers interact with them design ni dukan a functional and aesthetic level.

Log in to access all things NEW! Log in to enable bookmarking, and other member features. Log in to use your event calendar, and other member features. Log on for event registration, and enable member features. Log in via email. Please confirm your email address and we'll send you a link to reset your password. We use cookies and similar technologies, to help provide you with a better, faster, and safer experience while delivering content tailored to your interests.

Design ni dukan

Veeram Shah: The clients had been following our work and liked our design aesthetic, and they contacted us directly. The client is a young entrepreneur who wanted an apartment for his wife and two children. Frequent family gatherings are an essential part of their life, so they needed a large dining and kitchen area with good storage space. They wanted a space that would reflect their simple, holistic way of living. They were open to experimenting with natural materials but wanted to incorporate the traditional principles of Vastu in every element of the square-metre apartment. We insisted on a few structural changes to clean up the space before putting the actual design on paper. We profiled each family member and their individual requirements, trying to understand their lifestyles and how we could enhance it through design. We wanted a distinct identity for each room, which was achieved by using specific materials suited to each family member. Our focus was to articulate simple materials in terms of proportion, form, detail, sections and shapes. As a studio, we focus on pushing the boundaries of simple materials while adhering to a modernist design aesthetic. For this project, we decided on a minimal materials palette of reclaimed teak, and brass and cane. For the in-between spaces where we needed light but to still maintain visual privacy, we used cane infill shutters and fluted glass partitions. We collaborated with a textile designer to create themes and a colour scheme for each room so that all the furnishings and upholstery would be in sync.

Log in to access all things NEW! Go to my stream.

Text description provided by the architects. How does one design a formless house? This was the primary inquiry from which the conceptual foundation for the project was generated. This led to the designer questioning the very basis of built forms. This caused a shift in the designer's perception that resulted in an inside-out approach to the design, wherein the experience of space from within took precedence over the external form and a second skin wrapped around the structure, holding the separate parts together and defining a series of courtyards that are intrinsic to the experience of the house.

Design ni Dukaan, led by designer Veeram Shah, redefines office spaces by embracing materiality as a pivotal design process. Focusing on sensory aspects, the project, located in Gandhidham, Gujarat, India , unfolds as a gradual assembly of elements and functional sculptures, forming a warm workspace and emphasizing increased productivity. The design preserves the original architectural structure, utilizing its form as an aesthetic anchor while consciously welcoming imperfections. A minimal material palette of teak , brown glass , and terracotta micro concrete permeates the project, fostering a seamless integration between art and architecture. Art inserts take center stage, blurring boundaries between functionality and aesthetic expression. Notable interventions include a folding door with modernist-inspired patterns at the entrance, a layered glass mural, and a sculptural reception table. The waiting area features sinuous curves and a skylight, envisioned as the central point permeating light throughout the office.

Design ni dukan

The resulting architecture is designed as a sprawling collection of separate parts, all wrapped within a secondary concrete skin. With a background in farming, the client hoped to return to his roots and insisted on employing local labor. With its hilltop site and walled-off design, Design ni Dukaan notes that its Enclosure House takes on the expression of a citadel. The outer walls are comprised of four main surfaces — two curved and two straight — whose intersections are subtly overlapped or offset to create moments of entry. The main entrance canopy takes shape at the confluence of the two curving walls, guiding visitors inside from a threshold of raw concrete to interior spaces finished with clean, white plaster. Much of the house is expressed with a muted material palette of concrete, kota stone, white plaster, and wood. The most private spaces of the house, the bathrooms, punctuate the interiors with pops of vibrant colored tilework and dramatically illuminated by deep skylights. Feb 27, Feb 25,

Rule34 kinkymation

We insisted on a few structural changes to clean up the space before putting the actual design on paper. Design Ni Dukaan. Design Anthology. Load More. House Tours. The span of time, in fact, gave them the opportunity to repeatedly reassess their ideas of what architecture is, of what a design practice should be, and to delve deeper into these questions while still being able to detach from and discard concepts when required. Log in via STIRworld. Embrace is a sculptural chair design crafted with just one fold; from the front, the chair seems to have open arms and from the rear, it appears that the chair is embracing its user. These kind of double-sided swings have always been common in Gujarati households, and we created our own version to match the design palette — and it really completes the living room. Himatnagar, India. Lead Architect: Veeram Shah. Design Anthology : How did you first meet the client? Penthouses embody the pinnacle of opulence and exclusivity, offering a unique blend of sophistication and breathtaking views. Facebook Instagram Twitter Youtube Pinterest. As a studio, we focus on pushing the boundaries of simple materials while adhering to a modernist design aesthetic.

Text description provided by the architects. How does one design a formless house?

Don't have an account? The forms embrace imperfections, steering away from conventional synthetic spaces and towards spaces that are timeless, evolving with the user and social context. The client is a young entrepreneur who wanted an apartment for his wife and two children. This three-bedroom, sq ft residence stands as a. Can we push artisans to create beyond the generational learning they have acquired? The irregularity in the form comes from the different sizes and patterns of stone pieces, and the imperfect curves break up the monotony. From chairs to tables to accent pieces, micro research into form, expression, texture and technique drove the collection. Sign me up for the newsletter and promotional communications. Work email. Moreover, I firmly believe that the best practice for a country like ours is the balance of these two aspects of design. Architects: Design Ni Dukaan. The traditional definition of a chair includes four legs and a seating system.