Better call saul all black and white scenes

Do be warned that this article contains spoilers for the ending of Breaking Bad. In simplest terms, the black and white scenes in Better Call Saul are meant to represent the post-Breaking Bad timeline. These scenes follow Gene, who has since left his life and identity as Saul Goodman behind after the events of Better call saul all black and white scenes in Breaking Bad. After Walter White is revealed to be Heisenberg and the DEA starts coming after him, Saul is compromised and forced to abandon his life in Albuquerque.

Ever since Better Call Saul began airing in , the series has regularly featured scenes that take place in black and white. The first episode of each season — apart from season 6 — has done the same as it explores the life of Gene Takavic, the alias of Jimmy McGill post-Breaking Bad, revealing tiny slivers of information about his new life in Omaha, Nebraska. Episode 10 of Better Call Saul season 6 goes a step further, though, as the entire episode takes place in black and white. However, this has left Better Call Saul fans with questions, with many asking exactly why the series makes use of black and white scenes. The very first scene of Better Call Saul takes place in black and white as the series catches fans up on the current whereabouts of Jimmy McGill, aka Saul Goodman, following the events of Breaking Bad. In the final season of the original show, Jimmy was forced to go into hiding and is now living with a new identity, Gene Takavic, in Omaha, Nebraska, where he now works as the manager of a Cinnabon store.

Better call saul all black and white scenes

The Gene Takavic timeline in Better Call Saul was notable for its black and white aesthetic, but it also used color on four occasions to symbolize the state of mind of Jimmy McGill Bob Odenkirk. The complete lack of color in Jimmy's life as Gene represents everything he's left behind by shedding his Saul Goodman persona. The post- Breaking Bad timeline sees Jimmy live a quiet life as a humble Cinnabon manager, but it's clear that Saul Goodman is still in there, desperate to get out. Interestingly, it's a lack of color that foreshadows Better Call Saul 's ending , when Gene picked up a garish shirt and tie in the clothing store he robbed the night before. It felt like a perfect opportunity for the Saul Goodman-style clothing to be the only colorful items in the shot, but they remain in black and white. It's a subtle visual clue that Jimmy can never go back to the glamorous lifestyle of Saul Goodman. Better Call Saul season 1 established the tradition of opening each season with a flash forward to Jimmy's life post-Saul. The first black and white sequence reveals that Jimmy works in a Cinnabon , and follows his daily routine, cleaning the machinery, cooking the buns, and disposing of the trash at the end of his shift. The focus on the machinery and the baking process is a masterful piece of direction and cinematography that both establishes Jimmy's new life, and reminds the viewer of how he got there. Returning home after another unsatisfying day in retail, "Gene" makes himself a drink and relaxes in front of the TV. It's a tragic moment, as Jimmy is clearly nostalgic for when he was Saul Goodman, a somebody, rather than Gene Takavic, a Nebraskan nobody. Better Call Saul season 6 broke with tradition by opening in full color, after a masterful transition from black and white to technicolor via Saul Goodman's flamboyant tie collection. Viewers were treated to a look at Saul Goodman's palatial home as the authorities seized his assets after the criminal lawyer went to ground and began life as Gene.

Better Call Saul season 1 established the tradition of opening each season with a flash forward to Jimmy's life post-Saul. His words damn him in the eyes of the law, but provide Saul, now Jimmy again, with a bit of emotional catharsis. Saul performs some feigned emotionality followed by the reveal that he is all too willing to use his acting ability to manipulate the jury and potentially escape conviction if the case goes to trial.

Shadows and darkness feel more imposing in black and white. A brightly lit shot will feel vibrant and safe, whereas a single brightly lit object might look threatened amidst a sea of oppressive darkness. Vince Gilligan 's Better Call Saul makes use of black and white's stylishness with aplomb, using stark light lines and visual references to film noir to underscore the creeping dread felt by the show's main character as the metaphorical walls close in around him. While some viewers might associate black and white primarily with classic films and television series, Better Call Saul makes the counterintuitive choice to set its modern day sequences in black and white and the main thrust of its story, taking place prior to the events of Breaking Bad , in color. At first, this choice is a tad jarring, forcing the viewer to remember that black and white means that the show is jumping forward in time past the entirety of a TV series that previously aired, but the monochrome presentation feels all too fitting during the series finale, in which the show's protagonist is forced to stop living in the comforting self-delusion that being morally gray frees him from personal responsibility.

This week marked the end of an era, as Better Call Saul signed off after six seasons, effectively closing the book on the Breaking Bad universe in the process. The final few episodes took place mostly during the post- BB timeline, where Saul Goodman was going by the alias Gene Takavic. The installments were notably presented in black and white though, interestingly, there were a handful of colorized moments. Now, series co-creator Peter Gould has shed some light on the meaning of those sweet, artistic flourishes. In the more recent episodes, there were a few other instances in which color popped in. His nostalgia for Saul, not for Jimmy. I wanted to make sure everyone was watching the wonderful performances by Bob and Rhea and not getting distracted by technical artifice. Each use of color is a little bit different. It just felt right. Both were definitely powerful shots, especially the one featuring Jimmy and Kim.

Better call saul all black and white scenes

Here is what you need to know about it. He is now known as Gene Takavic, a balding, paranoid manager of a Cinnabon Branch located in a shopping mall in Omaha, Nebraska. When a customer seems to stare in his direction, Gene becomes fearful that he has been recognized. However, this turns out to be a false alarm. After reaching home — a dreary and modest apartment — Gene sits in the dark and watches the VHS tapes of the Saul Goodman ads, which are in color. When the series goes back in time and begins telling the tale of how Jimmy McGill became Saul Goodman, they are in color as well.

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Saul finishes confessing and tells those around him that he is Jimmy McGill, the name he was born with, a final sign that he is trying to be fully honest. Enlisting Jeff in his Cinnabon mall scam to get the leverage he needed to stop Jeff going to the cops initially seemed like a good idea, until Jimmy's addiction to the grift took over. It's a reminder of the color and vibrancy that's been stripped from Better Call Saul 's Gene timeline, while the contents of Saul Goodman's home foreshadow Better Call Saul 's finale. Though Saul glimmers brightly as a glitzy lawyer amid murky moral grays, he finds a moment of redemption in the stark contrast of monochrome. More in TV. It's a small moment that symbolizes the importance of Kim to Jimmy's life, the color of the cigarette lighter representing the fact his old flame was the only color in his life. When you purchase through links on our site, we may earn a small affiliate commission. Darkness surrounds Saul as he reaches into his hiding space to find his stowed valuables. When Marion gazes out the window at Saul fleeing the scene, her head is filmed in shadow so that the left third of the shot is darkness. The complete lack of color in Jimmy's life as Gene represents everything he's left behind by shedding his Saul Goodman persona. Published: Jul 13, am. It felt like a perfect opportunity for the Saul Goodman-style clothing to be the only colorful items in the shot, but they remain in black and white. Paul Fogarty. Interestingly, it's a lack of color that foreshadows Better Call Saul 's ending , when Gene picked up a garish shirt and tie in the clothing store he robbed the night before. Ironically, Marion was only able to find the commercial because Jeff bought her a new laptop with the money from the mall heist.

Do be warned that this article contains spoilers for the ending of Breaking Bad. In simplest terms, the black and white scenes in Better Call Saul are meant to represent the post-Breaking Bad timeline. These scenes follow Gene, who has since left his life and identity as Saul Goodman behind after the events of Ozymandias in Breaking Bad.

Category: Guides Guides. We see him scramble for the box from the perspective of the hidey-hole itself, the shadows cloaking the majority of the shot, framing Saul with a relatively small square of light. Director Peter Gould 's use of black and white to draw the viewer's eye and aid in the framing of his shots is spectacular. In the final season of the original show, Jimmy was forced to go into hiding and is now living with a new identity, Gene Takavic, in Omaha, Nebraska, where he now works as the manager of a Cinnabon store. The wide shots, close-ups, and diagonals featuring seated characters around a table, along with the dark-paneled walls and the grim halo of an overhead light, harken back to Stanley Kubrick 's classic dark satire. Marion confronted "Gene" at the end of Better Call Saul season 6, episode 12, "Waterworks", when she showed him one of Saul Goodman's old commercials. At first, this choice is a tad jarring, forcing the viewer to remember that black and white means that the show is jumping forward in time past the entirety of a TV series that previously aired, but the monochrome presentation feels all too fitting during the series finale, in which the show's protagonist is forced to stop living in the comforting self-delusion that being morally gray frees him from personal responsibility. While some viewers might associate black and white primarily with classic films and television series, Better Call Saul makes the counterintuitive choice to set its modern day sequences in black and white and the main thrust of its story, taking place prior to the events of Breaking Bad , in color. Episode 10 of Better Call Saul season 6 goes a step further, though, as the entire episode takes place in black and white. When you purchase through links on our site, we may earn a small affiliate commission. Kim provides a counterbalance to Saul's self-serving inclinations, a reminder to set limits and retain a shred of compassion for potential victims. The focus on the machinery and the baking process is a masterful piece of direction and cinematography that both establishes Jimmy's new life, and reminds the viewer of how he got there. Once a carefully plotted con turns deadly, Kim breaks things off with Saul, citing the reason that they are "bad for each other" because their schemes result in other people suffering. Zhiqing Wan.