Behringer ms 101

It sounds like the new version addresses shortcomings of the original MS Here it is, but as improved MKII. And then we also added the dual glide function.

Found a lower price? Let us know. Although we can't match every price reported, we'll use your feedback to ensure that our prices remain competitive. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a step sequencer, arpeggiator and live performance kit, the MSRD lets you conjure up virtually any sound with incredible finesse and ease. Owning the MSRD is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future! This highly-focused attention to detail is what gives the MSRD its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

Behringer ms 101

But with the MS, I am looking mostly at how well it mimics a long and well established synthesis classic, albeit with a smattering of new and useful features. So when I approached Music Tribe to enquire about the possibility of getting a unit to review, I knew this was going to be a slightly different experience to my usual fare. But first… some history. For some while, I had been growing increasingly obsessed with synthesisers and artists that used them. A connection was made that would last until this day. Even now, looking at this image, I still feel the desire and excitement that the young teenage me felt back then. The kid in the picture was about my age, my build and even had a similar haircut. It was compact and had this beautifully simple layout and, most importantly, it was slung over his shoulder. Finally, here was the answer to my dreams. A small, seemingly affordable synth that would make me as cool as Vince Clarke and where I could take centre stage and not languish behind a tower of keyboards at the back, stage left.

Anyway, I spent hours messing around with it yesterday and I absolutely love it.

Eh, you would sacrifice a lot in analog to add poly to an SH SH is like sushi for me, the balance of the filter, sequencer, and modulation are perfect. Piling a bunch of notes on top of that is a different type of sound, like a sushi burrito or something. Am I making any sense? The is what it is. But being polyphonic is what makes the boutique stand out as a a different nice product.

Found a lower price? Let us know. Although we can't match every price reported, we'll use your feedback to ensure that our prices remain competitive. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a step sequencer, arpeggiator and live performance kit, the MSRD lets you conjure up virtually any sound with incredible finesse and ease. Owning the MSRD is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future! This highly-focused attention to detail is what gives the MSRD its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

Behringer ms 101

With the continuing emergence of products inspired by legendary hardware from Behringer, we strap in and get our hands on its new MS, and place it side by side with an original SH When it comes to the history of synthesizers, the SH from Roland arrived at a time when synths were still relatively expensive. No, I have no idea why was the magic number either, as it makes no musical sense — but that was 80s tech for you! So with great anticipation, Behringer has not only made a product that resurrects the best qualities of the , but applied a few new elements to teach the old dog some new tricks. The original SH was available in grey, but due to the unpopularity of the at the time, was later released in both red and blue guises, in an attempt to revive sales. This gave rise to the urban myth that the red model was better for bass and the blue better for leads.

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Oscillator sounds good, as does the sub osc. Not off to the cleanest of starts, but without wishing to steal my own thunder, this is one of only a couple of complaints I have of this machine. I spy an Elektron machine in the corner of the second one. This is not a huge deal, except that the package also includes what Behringer describes as the Live Performance Kit. The is what it is. Brief content visible, double tap to read full content. The difference is barely audible, and for many use cases, the clones are well enough. The ability to control the VCF cutoff with keyboard velocity delivers a new form of expression that the original never had. When it comes to the history of synthesizers, the SH from Roland arrived at a time when synths were still relatively expensive. It just makes the whole thing more easy to understand, particularly for those new to analog synthesis. It brings back that simplicity at an amazing price. There are, in fact, only two differences here. Added to Cart.

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Synthesizer Software. To give the MS a fair bite at as many cherries as possible, I built up a couple of MS only tracks, using it to create drums, basses, leads and more. Even after 30 odd years, all the sliders are still stiff, all knobs secure, all switches sturdy. Previous page. An additional couple of pots allows for both selection and varying application of FM, which yields some incredibly exciting sounds. Whilst this tends to be the more common usage on the original, some people may miss the extra setting on the MS. But you know what I mean. There are hundreds of audio and video demos, of written or narrated reviews out there, so if you are averagely cautious it is really hard to be fooled. A few hundred dollars vs. The filter frequency modulation adds extra grit, dirt and bite and can really increase the sonic palette, as does the extra triangle waveform from the main oscillator. The LFO on the MS, as I mentioned earlier, has a wider range of oscillation rate, but again, it barely takes any effort to get it dead on. Or the Mattel Synsonics that I was convinced would make me a drum god.