Armani fall 2023

Armani, as he is always respectfully referred to, is well known armani fall 2023 introducing seasonal tropes, armani fall 2023, while never deviating from his core principles. All of this was yet again the case as he offered roses—roses, sequined roses, 3-D chiffon roses, conceptual roses—to his couture clients for fall. They appeared in a lacquered garland on a skirt paired with a black velvet jacket—its scrolled foliate neckline revealing a red satin lining.

From the pink-and-white marbled runway, with its little cushioned banquette, to the final model who clicked open a Giorgio Armani compact to powder her face, it was clear the designer was thinking about private spaces and peaceful moments behind the doors of the boudoir. There were so many Armani signatures here, such as sarong-like skirts layered over fluid trousers; short, sleeveless embellished jackets, and sharp-shouldered coats. They were layered under embellished tops, fitted jackets or coats, such as one floor-length style, pink as a cherry blossom. Though formal, these trousers nodded to the sports field, with drawstring or elastic waists, tab details around the ankle, cargo-style patch pockets and go-faster stripes. Others will also rejoice when they see his glittering evening gowns worn with loafer-style flats — a radical pairing for any red carpet designer. Yet Armani would argue this is the whole point of design.

Armani fall 2023

Almost as tangibly, the intimacy of the setting transmitted a supremely serene creative confidence, just as some of the more bombastic shows we are exposed to telegraph a lack of it. The showspace was laid out in charcoal-veined marble tinted gray, off-white and blush pink. The lights came up to illuminate the first three models seated and standing on a cushioned bench, chatting, as if unobserved in a powder room. Then the first model swiveled decisively and walked out in the first look of 74; she wore a black beret there were many more ahead , a loose one-buttoned trench and a high-rise track pant in camel, and black patent toed oxfords. As upon all the models, a gentle spectrum of carefully applied color bloomed around her eyes. The two key decorative motifs were a sketched flower and an abstract group of finger painted lines in the same colors as the marble: those patent toed flats and perspex heeled sandals sometimes matched the surface they stepped on near-exactly. There was a side serving of leopard—a rare spot at Armani—that was prefaced by a cappuccino-colored silk pantsuit and high jacket that featured abstract spots that could either have been animalia or based on blotted lipstick prints. Texture was a focus-point for experimentation; slivers of faux fur were cut against angular strips of silk in a jacket whose contours mirrored the angular resin bangles whose colors again reflected the baseline palette. Several garments including wraps and hats were edged with generous fringing. A short, black-armed jacket was fronted with slivers of pink fabric placed around black diamonds to create a pattern that, as at the menswear show this season, evoked typical Milanese domestic decoration. Tailoring pieces were inflected by Asian traditional shapes, a decades-old Armani reference point. Outerwear tailored pieces were consistently cut with two high vents running up to each hem in order to create free and easy movement. At the last a model came out in a fringed hat and full length dress in narrow strips of what looked like leather and a black crepe etched periodically with crystals. As she walked she held up her compact and considered her makeup.

Beauty Look 5.

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Armani, as he is always respectfully referred to, is well known for introducing seasonal tropes, while never deviating from his core principles. All of this was yet again the case as he offered roses—roses, sequined roses, 3-D chiffon roses, conceptual roses—to his couture clients for fall. They appeared in a lacquered garland on a skirt paired with a black velvet jacket—its scrolled foliate neckline revealing a red satin lining. They were put to the service of minimalism in a black velvet column with a stunning scooped back criss-crossed by minute rose-studded rouleau straps. There were fragile embroideries on sheer dresses at one moment, then silhouettes entirely drenched in bold red sequins at others. Since there must be always be time and space for Armani tuxedo tailoring amongst the gowns, the roses were represented symbolically in buttonholes, pearlized to blend with oversize easy-to-wear jackets. When he came out to take his bow, there was mighty applause. Next week, on July 11, Mr. Armani will be celebrating his 89th birthday, a legend of our times. Fall Couture.

Armani fall 2023

Out came two three-piece suits, one blue and the other black, in a silky looking material whose movement suggested they were almost certainly shot through with technical ingredients. Each was delicately to the point of imperceptibly crinkled with raised rivulets of irregular lines. As later confirmed in the notes, this was a Giorgio collection that took subtle inspiration from the architecture of Milan. The geometric gridding and zigzags worked into jacquard knits mirrored the many beautifully marble-inlaid communal spaces in buildings across the city.

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To help keep your account secure, please log-in again. Beauty Look 8. Beauty Look 2. Look 8. Load More. Beauty Look 3. The lights came up to illuminate the first three models seated and standing on a cushioned bench, chatting, as if unobserved in a powder room. Please log in. Look 7. Beauty Look 6.

Almost as tangibly, the intimacy of the setting transmitted a supremely serene creative confidence, just as some of the more bombastic shows we are exposed to telegraph a lack of it. The showspace was laid out in charcoal-veined marble tinted gray, off-white and blush pink. The lights came up to illuminate the first three models seated and standing on a cushioned bench, chatting, as if unobserved in a powder room.

Threeasfour Fall Couture. Area Fall Couture. Zuhair Murad Fall Couture. Look 2. Several garments including wraps and hats were edged with generous fringing. Rachel Antonoff Fall Ready-to-Wear. Outerwear tailored pieces were consistently cut with two high vents running up to each hem in order to create free and easy movement. Look 8. To revisit this article, select My Account, then View saved stories. Look 3. Others will also rejoice when they see his glittering evening gowns worn with loafer-style flats — a radical pairing for any red carpet designer.